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It was super to read this in the paper! Good on you....wish we could have seen your face a bit, though. But I can understand why you wouldn't necessarily be wanting that...
Posted by: adele geras | March 16, 2011 at 03:27 PM
Oh thanks. Wish you could be here to see it.
Actually the Wellcome took a lot of photos of me face-on standing in front of the work. I look like a bit of a melon standing in front of it like it was a prize marrow (if that makes sense in any way) but that's ok 'cause they took lots of lovely photos of me working too. You can hunt them down on Flickr if you feel inclined.
Posted by: badaude | March 16, 2011 at 05:28 PM
will have a look and see if I can find them....is there a link? Do send it to me if there is....I think you have my email!
Posted by: adele geras | March 18, 2011 at 04:40 PM
Here it is
http://www.flickr.com/photos/wellcomecollection/sets/72157626243382062/
x
Posted by: badaude | March 18, 2011 at 04:59 PM
So glad you posted a link to the Flickr stream! Wonderful photos of an amazing project! I can understand the symbolism of a transient art installation (especially on the topic of death and dying) but it pains me to think of it being scrubbed down. I pity the poor worker who had to do it; I know I couldn't've!
Posted by: MarieP | March 21, 2011 at 02:53 PM
I pity them too but for more practical reasons: I hope it isn't too difficult to get off!
Posted by: badaude | March 21, 2011 at 02:58 PM
Have only just seen the flickr set - wonderful! I love how you manage to look outrageously elegant, in your (fake?) Isabelle Marant boots and your spotless jacket, whilst painting in public, which must count as one of the scarier things that life can throw at you. Looks amazing - only sorry i didn't see it in person.
Posted by: natasha | March 24, 2011 at 02:46 PM
They're imitations! (the Marant boots). Also, unless it makes you feel too disillusioned, you might like to know my jeans are held up with a safety pin...
Posted by: badaude | March 24, 2011 at 03:10 PM